Antique Collection

Perhaps because of their homely appearance and reassuring “tick-tock”, longcases, popularly known as “grandfather” clocks, are among the most appealing of all antique clocks. Most longcases were made in England from the late 17th-19th centuries, although lesser numbers were also produced in Europe and America. The standard long- case runs for 8 days and has an anchor escapement.

Like most types of clock, value is dependent on the quality of the case, movement and dial. If a clock has an unusual or attractively painted dial, or an elaborate marquetry or lacquered case, it will cost more than a run-of-the-mill version. Size can also have a bearing on price. Smaller longcases are usually more expensive than larger ones – and for good reason – taller ones were built to fit in rooms with higher ceilings than many homes of today – so before you buy a longcase remember to check it will fit!

Dials

Originally square, dials became arched in c.1720. Most longcases have brass dials, as here, or painted ones, like the clock opposite. Brass dials are usually 30cm/12in in diameter and have an applied chapter ring (the band showing the numbers) and applied spandrels (corners).

A walnut Longcases

Some of the earliest longcase clocks were covered with walnut veneers over an oak carcass. Cross-banded veneers .(a strip laid at right angles to the main veneer) add to value. £20,000+

Marquetry

Floral marquetry was a popular way of decorating longcases between 1680 and 1710. Earlier examples have small inset panels of marquetry decoration; on later ones, such as this, the design covers the entire surface. £12,000+

Finials are easily damaged and replacements, though acceptable, are less desirable.

The small dials measure the seconds and the calendar months.

The hands on most longcases are made from “blued” steel – the metal was heated to create the dark colour.

The trunk – centre section of the case – has a door which opens to allow you to adjust the pendulum and fit the weights. Longcascs were designed to stand against a wall, so the hacks are made from unpolished wood.

The style of the pediment can give an indication of the age of the clock; the broken pediment seen here was popular in the late 18th century.

The painted dial has attractive figures in the spandrels and a moon disc, showing the phases of the moon, in the arch. Look for crazing (a fine network of cracks) on painted dials as this is a sign of authenticity.

Mahogany Longcases

MAHOGANY WAS USED TO MAKE LONGCASES FROM THE MID-18TH CENTURY UNTIL THE 19TH CENTURY. BECAUSE THIS ONE (OF 1785) IS FAIRLY ELABORATE IT’S WORTH AROUND £2,000, BUT YOU CAN FIND SIMPLE 19TH CENTURY VERSIONS FROM ABOUT £1,000.

Names to Look Out for

This clock is signed by a Birmingham clock-maker named Edward White. London makers of long- cases are usually particularly sought after, especially: Thomas Mudge Sr, William Dutton and John Holmes.

The wood on the base and plinth should match the rest of the case. If it looks different parts may have been replaced and this will reduce value.

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Longcase Clocks